The realm of assignment photography presents a unique and exciting challenge for photographers, requiring a blend of technical skill, interpersonal savvy, and adaptability. This insightful video offers a glimpse into the realities of working on assignment, specifically for a prestigious publication like the New York Times.
Coming to you from Justin Mott, this neat video looks at the world of assignment photography, specifically focusing on Mott's experience shooting for the New York Times Home section. Mott recounts a 2010 assignment where he shadowed Fernando Sanchez, a high-end interior designer, on a trip to Chiang Mai, Thailand. Sanchez was sourcing unique decor pieces for a client's multi-million dollar home, offering Mott a glimpse into the exclusive world of luxury interior design.
The video highlights several key aspects of assignment work, including the initial contact and negotiation with editors, the importance of adaptability and quick thinking on location, and the delicate balance of capturing compelling images while respecting the client's boundaries and workflow. Mott's honest reflection on his earlier work demonstrates the value of continuous learning and self-evaluation, encouraging you to analyze your own portfolio and identify areas for improvement. His experience also underscores the significance of building relationships and leveraging prestigious assignments to secure future work.
Assignment photography often throws curveballs. Mott's experience in Chiang Mai exemplifies this, as he navigates the complexities of shadowing an interior designer on a sourcing trip. Photographers must be prepared to think on their feet, adjusting to changing schedules, locations, and lighting conditions. This requires not only technical proficiency but also a keen sense of observation and the ability to identify and capture compelling visuals amidst the chaos. Check out the video above for the full rundown from Mott.
